metal gear rising revengeance vocal tracks songs

Metal gear rising revengeance vocal tracks songs full#

“The Hot Wind Blowing” is the last real track on the album and it returns to the hard rock and fast-paced lyrical style previously established.Īfter the thirteen vocal tracks I’ve talked about, what comes next? First up, we have the DLC version of “A Soul That Can’t Be Cut.” Even though it’s supposed to be a variation, the only difference is that this version was sung by Tyson Yen rather than Kit Walters.

It begins with electronica and slightly melancholic lyrics, but then perfectly transitions into a more sorrowful rock. As such, it is the most developed on the album and fits in more detailed composition than the rest of the tracks. The political intrigue lyrics are reminiscent of the previously mentioned “Return to Ashes.”Īnother track that deviates from the hard rock style is “The War Still Ranges Within” which also has the longest running time. “Collective Consciousness” and “It Had To Be This Way” changes things a bit with a more cinematic touch, while still retaining the album’s trademark rock style. “A Soul Can’t Be Cut” builds up the tension with its rock instrumentation and lyrics before exploding into a loud frenzy. “Red Sun” also uses prominent use of electric guitar as the track’s main instrument and I even detected hints of dubstep as well. Again, the lyrics are fitting and inspired.

Metal gear rising revengeance vocal tracks songs full#

“The Stains of Time” is another great piece that goes full out with its electric guitars. “Return to Ashes” is a track that particularly stuck a chord with me (no pun intended), with its political lyrics and erratic composition. “I’m My Own Master Now” reflects upon Raiden’s own mental and physical journey with its fitting lyrics and “A Stranger I Remain” uses expertly mixed female vocals that I really enjoyed. The electric guitar and synth are equally fantastic. Even though some people may be turned off by the excessive use of auto-tune (that seems to be a trend now in the music industry), I think that it actually portrays the game’s futuristic and cybernetic world surprisingly well. The artists bring life and spark to these expertly crafted tracks. Special praise simply must be given to the vocalists’ performances. “Rules of Nature,” “The Only Thing I Know for Real,” and “Dark Skies” set the mood for the entire album. I really think that this is an album that really has to be listened to, rather than written about but on to the review anyways.

I found this album to be brimming with creativity and energy that the original soundtrack lacked. That’s not to say that these tracks all sound the same or have no variety.

It’s difficult to talk about each track without sounding too repetitive since they all feature the same style of hard rock. With these tracks, we’ve got jamming electric guitars, heavy electronic synth, and blood-pumping vocals. To match with the fast-paced, hack and slash nature of the Revengeance, the music perfectly fits that. Can the vocal album outshine the previous soundtrack? Bodyįor the majority of the album, the style of music here stays largely the same throughout. Christopherson composed a majority of the tracks, but a bunch of licensed artists put in their talents as well. Besides the drastically different music that Christopherson composed himself, a separate soundtrack of vocal tracks was commissioned for the game’s many fast-paced action scenes. I enjoyed some of Jamie Christopherson’s compositions, but found that a majority of it to be experimental and underdeveloped. The soundtrack to Metal Gear Rising: Revengeance was a mixed bag at best. Metal Gear Rising -Revengeance- Vocal Tracks